multi-genre vocalist & educator
From jazz to classical and back again, Kim can "sing it all". With a flair for phrasing, Kim's warm tone lends itself beautifully to standard ballads that embody the American Songbook repertoire. She's an actor at heart and this comes shining through in her musical theatre and opera repertoire. Throw in some contemporary singer-songwriter, a dash of blues, some classic pop or put her in front of a 17 piece swing/Latin big band and you've got the eclectic stylings that are Kim Greenwood.
In the past few years Kim has formed her own ensembles and collaborates with many of Victoria's finest musicians. Last year, Kim created the highly successful "Ella at 100" tribute show which sold out Hermann's Jazz Club and the Osborne Bay Pub in Crofton. In 2016 Kim recorded a 4 song demo and a CD is on the horizon!
Her vocal journey began as a young child singing Tin Pan Alley favourites around the piano with her Mum. As a young adult, she discovered how fun karaoke is and how much she loved grabbing a microphone! When Kim began studying at The Victoria Conservatory of Music (VCM), she became hooked on technique and discovered her love for opera.
Kim's operatic roles include Zia Principessa in Puccini’s "Suor Angelica" and Miss Todd in Menotti’s "The Old maid and the Thief" with The VCM's Opera Studio. Other noteworthy performances include "Brahms Alto Rhapsody" with The Civic Orchestra of Victoria, Robert Fleming’s "The Confession Stone", and alto soloist for Handel’s "Messiah" with the Sooke Philharmonic Orchestra.
In the musical theatre world, Kim loved performing at Grafton Street Dinner Theatre in Halifax. She was the lead singer for NOVA, a dance band that specialized in Latin and older pop sounds and she was also the lead singer for The SeaNotes Big Band in Oak Harbor, WA for two years. Currently, she is the lead singer for The Commodores Big Band, a band with a 40 year history in Victoria.
On the academic side, Kim is on faculty and is past Chair of Voice at The Canadian College of Performing Arts. She has loved every minute of teaching these aspiring performers for the past six years and she has been teaching voice privately for 18 years. Kim is a past president and current board member of the Victoria Chapter of The National Association of Teachers of Singing (NATS). In addition, Kim is the vice-president of U-JAM and organizes their monthly Club Nights at Hermann's. Kim loves to mentor and is available as a clinician for workshops and masterclasses for both classical and contemporary music. This year she is once again excited to be mentoring for the Township Community Arts Council as well as being on faculty for U-JAM's first annual Jazz Camp. Kim is fascinated by voice science and all the discoveries about the singing voice that are presenting themselves in the 21st century; she is always seeking out professional development opportunities. Kim is a certified teacher of Somatic Voicework(TM) - The Lovetri Method, an internationally renowned program for teachers of contemporary voice.
Kim has equal passions for performing and teaching and she can't imagine doing one without the other.